14.11.11

Oh Comely

Because it's so wonderful
to feel terrified and helpless
there in front of him.

To come to realizations
that break you so quickly
and jaggedly
as you listen through
that one album.

12.11.11

The Gate

Goodness me, I've forgotten so many!


I exist as I am, that is enough
-Walt Whitman


So I love you because I know no other way
-Pablo Neruda


Our best yesterdays are now foul crumpled piles of names
-Vladimir Nabokov


So much of adolescence is an ill-defined dying, an intolerable waiting, a longing for another place and time, another condition
-Theodore Roethke


By daily dying I have come to be
-Theodore Roethke


I wake to sleep, and take my waking slow
-Theodore Roethke


I love sleep. My life has a tendency to fall apart when I'm awake, you know?
-Ernest Hemingway


Perhaps this will be all for now.
I'd add a Ginsberg quote if I could,
but they are all to damn good and too damn long
to put here. 


Also, check out "Words Made Flesh",
it's a site full of literary tattoos,
they are all very lovely.

Take Your Carriage Clock and Shove It

I'm feeling very quote-y right now,
and would like to vent this.
So, quotes:


I imagine that yes is the only living thing.


I sort of want this tattooed upon me,
it is one of my favorites. 

A woman knows the face of the man she loves as a sailor knows the open sea. 
Honore de Balzac

We are tied to the ocean. And when we go back to the sea, whether it is to sail or to watch - we are going back from whence we came. 
-JFK


To destroy is always the first step in any creation.



I took a deep breath and listened to the old bray of my heart: I am, I am, I am
-Sylvia Plath

You might as well live
-Dorothy Parker

It goes on
-an excerpted Robrt Frost quote
I enjoy this bit especially, it is so powerful. Saw it as a tattoo.

I carry your heart (I carry it in my heart)
-ee cummings

and my very favorite,

for whatever we lose (like a you or a me) it's always ourselves we find in the sea


-ee cummings

(The beginning picture is a quote from Albert Camus)


9.11.11

Two Headed Boy Pt. 2

You noted the recurrence 
of hands. 


You said you had once really
loved to draw. Hands, especially.
Did you ever want to be an artist?


You were silly
and made fun of how
sunny-side up
in this case was over-easy.
But we both agree that half-raw
eggs are really horrible
and neither of us can flip
eggs well without breaking the yolk.


I like how there can be talk 
of lots of things.


I like that I get to make you a new 
Belle and Sebastian cd.
I'm so glad you like them.


And you suggesting a band to me
made me quite happy,
you said you'd thought of me,
lyrically, that I might really enjoy
the guy's lyrical style, for you think 
in ways it is similar to my own.
I am so far pleased with the band as well.
You have good taste, usually.


We elaborated upon
grocery store philosophy,
and vegetable zoos
and the concept of
perpetual death,
how we are all dying every second
we are living. Which was uncharacteristic
of you. Yet still interesting.


It is so wonderful to be near you
and to talk on things,
even though, strangely,
my hands trembled this time
when I talked with them,
my gestures were shaky 
and I do not know why.


I love when we can talk.


Also; lobsters:



A calm unlike
the sea floor,
the white plastic 
-too smooth for
claws to grasp at-
is no substitute for
the wavering sand grains,
vegetation strung thick
and murky 20 feet deep.
 -
The fluorescence,
a doctors' office's 
quick glare. The dim
penetration of filtered light
hanging 15 feet above.
Suspended on wires
like traps.
 -
The corner of glass,
scummy-screened
and neglected
-a dying zoo-
stands a sign
of sad disrepair.
Its inhabitants
militantly still.
 -
The falsely blue water
obscures the brightly
rubber-banded 
fighting claws of a
crustacean warrior,
his whiskers moving 
slowly, as though pulled
by an inevitable tide
programmed within him.
 -
The blue, speckled bodies
in somber heaps like
a graveyard of the living dead.
The small black eyes,
pivotal things with
a depth of squid ink
are glazed over,
defeated in ways.
 -
Once rustles his
two threatening claws.
They are bound by 
orange rubber printed
with "live lobsters".
He has been labeled
and identified. 
We know who this
one is, in a pen of
his own. The
"live lobster" scrabbles
over a smaller grey body.
 -
And one by one somewhere
the warrior types,
thick with armor
will be blushed crimson.
The indecipherable whistle
haunts me, as we make 
eye contact. 
"live lobster" snaps his claws
with his eyes.
His death sounds do not
leave me.

7.11.11

The Adventures of Rain Dance Maggie

Ready for what I think 
shall be the millionth post
about a boy?
Yes? Then shall I?

I like the idea
of standing in my
kitchen, you and I,
talking. 
You are leaning against
the kitchen sink, 
drink in hand,
and I'm leaning against the
island, across from you,
arms gesticulating,
though in small motions.
We could laugh,
it'd be nice.

And in the middle
of the crowded hallway today,
there was some instance
and I got the chills.
That had never happened before.
I've never got the chills
from a thought of you before...
which is absurd,
it's horrible that this could happen.
I do not like that it's possible.

6.11.11

Tom Sawyer

I want your hands.
They are mottled and
purpled and rough
and cracking in the winter
like my own. Your calloused 
fingertips that I'm sure
can play lovely songs on guitar.
Your long fingers, guy fingers,
though slight, and they are 
square-ish. 


Your hands are warm,
and sort of rough.
And they are my 
favorite hands.
And really,
I think I could not even 
like you, and still think 
you had great hands.
They are just very wonderfully
nice.


I like when you talk with them
and when they are inky.
And where your thumbs are
at odd angles to the rest
of your hands. I think it's 
because of your guitaring.
They have a lovely hollow
at the base, near your wrists
(Which are too faint for a 
man's wrists, really). 


Yes, it's sort of creepy,
really weird that I've 
studied your hands.
But I simply like 
them a lot. 
They are very 'you'.