27.11.10

Venus In Furs

Happy day-late Thanksgiving, readers.
I hope you've got something/someone you're thankful for.
It's nice.
An entire holiday for being thankful.
For being glad.
For eating food.
And then discussing the killings you're going to make Black Friday shopping.

And I actually went Black Friday shopping.
But I didn't wake up like a crazed person at three am.
I went at ten.
And it was fun.
Not nearly as horrendous as I thought it would be.
And while all the killings I made were a pack of candy cigarettes and a flannel shirt,
It was worth the traffic and craziness.

And tomorrow.
It's on like Donkey Kong.
Meaning:
Christmas.
Holy holly berries, Batman!
It's here.
Already.
Woah.
Trees are going up and lights,
And I broke out the Bing Crosby 45's

And finally embraced the season.

But it makes me a little (a lot) upset
That it seems that I'm losing the sentimentality of the season.
I friggin' love Christmas
(But not before Thanksgiving!)
And I'm depressed that I seem so Scrooge-like this year.
It's not normal.
I blame the weather.
If we could get some snow or something,
It'd be better.

So let's break out those fake-plastic trees, classic Christmas movies and the pine-scented candles.
It's time to get holly-jolly, y'all.


Aside from all of that useless "catching up" type crap.
I'll give you these three attempts at "Dramatic Monologues"
That I've been working on for the past days.
The technique that I was saying "Shit how do you do this!?" about.
This may or may not be how you do it.
But it's what I did.
So go for it.

Dramatic Monologue One: The Taxi Driver

Ya eva’ been jus’ mindin’ your own bizness,

Jus’, ya know, drivin’?

And allofasudden, outta nawhere

(And yeah, I swears, they awl come outta nawhere!)

Comes another bicyclist.

An’ they’re neva – I mean neva-

Usin’ the craws-walks,

An’ ya gotta practick-a-lly jump on ya’ brakes,

An’ whoevers ya happin’ to be drivin’ arownd

They jus’ goes an’ hits the’ heads on the roof o’ the cab,

An’ everyone’s jus’ a-honkin’ and you neva know

Jus’ what the guy was thinkin’.

It’s a damned-big city to jus’ be a-bicyclin’ through,

Ya knows?

-

I swears, ever’time I see a bicyclist,

I rememba’ this-a one time,

(A while ago, I think; ya neva can remember dates, ya know?)

An’ whaddya know, this bicyclist jus’ comes outta nowheres again!

But this time - Oh, it was ugly

I hit `im and

POW,

They was lyin’ in the street,

All face-down in the city pavement.

It was ridic-ilous, I tell ya,

He was gushing blood all ova’ the place,

An’ the otha’ cabs were jus’ goin’ crazy.

Horns blowin’ and wheels swervin’.

An’ I didn’ know what I oughta do,

(I’m no nurse, no sir.)

So I jus’ lugged `im into the back o’ the cab

An’ he was swearin’ like a damned sailor in the backseat,

An’ I sped off

(As quick as ya can in New York traffic, sheesh)

Dropped that bleeding mess of a cyclist off,

An’ I drove away.

Which, app’rently,

You aren’ suppos’ to do.

Bu hey, ya know?

What can I do?

I’m just a friggin’ cab driver,

An’ I left the meter runnin’.

-

Monologue of a New York taxi driver to a very disgruntled passenger.


Had a little fun there.


Dramatic Monologue Two: Epistle One: Brother

I assume you’re doing well,

In the west, where the sun sets on the desert plains.

And the gold glimmers from all crevices of earth,

Buried in the red-clay, dusty earth.

I assume you’ve made your fortune.

And you’ve left the tiny mining town you first stepped into,

Fresh off the train from Illinois.

What did you say, when you landed in the dusted earth?

Did you forsake god (for the landscape must be so desolate)?

Or did you breathe in the arid winds

And tip the brim of your awkwardly placed

Cowboy hat to lady luck?

For I can only assume that you must look awfully

Funny.

Wearing a hat like that.

Have you met other miners, come to find their riches,

In those little cavern-caves, that I fear will collapse,

And envelop you in the earth.

Brother, I do hope you’ve left the mining town,

I dearly hope you’ve not gone broke.

For I hear that so many that go west

(looking for the “opportunities abound”, as advertised)

Find only fool’s gold and shack-filled towns.

And farming’s no use,

Not when the only green from the earth

Are cacti.

So I hope you may at least look upon the sunsets

And think fondly on your adventures.

I hope that you aren’t lost and gone,

That you may make the journey back,

And see your distraught and fretting wife once more.

She’s been listless and restless since you’ve gone.

All is gone from her eyes,

And I cannot bear to see her

Without you.

So if you have found the gold,

I beg you to return.

And if it eludes you,

Why haven’t you already returned?


Dramatic Monologue Three: To the Sleeping Figure

Sunshining, through curtain lace

That happened to fall on you

As you lie in the bed

In the bedclothes that were yellowed

And warmed by sun.

And age.

And you.

And I watched as you laid, twisted

Amongst the sheets that creased

And were bunched into a heap.

They looked like mountains.

And you, the sleeping giant

In the valley, near the shore

Of the blue blanket.

-

You, my dear,

Were breathing steady,

(Like I suppose one sleeping does)

And I watched the rise and fall of your

Barren chest,

Left to the elements in the morning light,

Where little streams of sunlight fell, illuminating

Your lackluster skin.

To think, you’d soon wake,

And soon be off, in much haste.

And I would not see you again til evening,

When you would return, from the office in the city.

-

And then you would again become this,

Pajama-clad figure, claimed by sheet-monsters.

-

But, for now, I breathe deeply in,

And I smell the faint hints of musk

That belong solely to you,

My slumbering one.

And the scent of Wednesday morning sunshine.

You look cold (nearly porcelain-like, I’d say)

As you’re claimed by your dreams.

And I see the outlines of yesterday

Still playing on your features.

But still, you look calm.

And I cannot help but to reach

Gingerly (I don’t want to wake you)

And touch your pale face.

A gentle, lingering trace of human touch.

I muss your hair

And it sticks in odd directions,

Like the weaving rays of light.

-

But too soon, I see you leave.

Trailing your sunshine-mornings behind you.

(It pains me so, to watch you go

Into the city, to the office that torments you so.)

And I dive underneath the mountainous sheets, still bunched

Where your ankles would’ve been.

And I settle into the imprint of you.

Left behind in sunshine.


So there you have my attempts at Dramatic Monologues.
I don't know.
I tried.
The last one is my personal favorite.
I'm going to write another about a murder.

With that thought.
I bid thee all a goodnight/morning-type thinger.
Adieu.

No comments: